JazzCorner
JazzCorner.com
 

JazzCorner.com is the largest portal for the official websites of hundreds of jazz musicians and organizations. New features on JazzCorner include the jazz video share where you can upload and share jazz and blues videos, JazzCorner Jukebox, surf the net with Jazz always on, submit your latest jazz news, and check out what's hot at JazzCorner's Speakeasy, the busiest bulletin board for jazz. Be the first to know where Jazz artists are performing in our gigs section, and be sure to listen to our podcasts with established and up and coming jazz musicians in our Innerviews section.


 
JazzCorner
Roster:


ArrangerBassBig BandsBlogsBookingBroadcastersCampsCelloClarinetConsultingDrumsEducationEventsFestivalsFilmFluteGroupsGuitarManagementOrganOrganizationsPercussionPhotographyPianoProducingPublicityPublishingRadio PromotionRecord CompaniesRecording StudiosSaxophoneTromboneTrumpetTubaVibesVocalsWriters


About JazzCorner:

History
Contact Us
Privacy Policy

 


JazzCorner News

Submit News
Share |

DRUM! Magazine Reels In Will Hunt For November Cover; Discussing His Return To Evanescence DRUM! Magazine Reels In Will Hunt For November Cover; Discussing His Return To Evanescence
(Published: November 03, 2011)

San Jose, Calif., -- Will Hunt has had the drum gigs that any drummer would want.. He is known for his impressive recording credits: Black Label Society, Dark New Day, and Staind to name a few. And, now in the November issue of DRUM!, Hunt discusses his recording career and return to his drumming roots with Evanescence.

Man With A Drum For Everyone
Bob Doerschuk, an award-winning music writer with years of experience, sums up well the contrast between Hunt, the hired hitter who has played for several bands, and his ability to commit to the Evanescence seat. Doerschuk says of Hunt, "As the current go-to hard-rock session ace, Will Hunt is seemingly everywhere these days. But his return to Evanescence has reminded him what being a real band member feels like and left him wondering if any one gig could ever be better than that."

Now, A Solid Sit
Hunt has made a number of changes to his drumming and mindset in regard to Evanescene, which in part reflects his session experience. His playing is straight-ahead and intended to drive the band rather than focus on his power chops. Two examples that Doerschuk discusses are "What You Want" and "The Other Side." (Note: There is a great transcription of "The Other Side on Page 48.)

On "What" Hunt builds the beat slowly rather than attack; one of the drum highlights is his military snare patterns with quick shifts in feel to half-time. But, the beat is always there....

Back To Beat Basics
Hunt's performance on the new Evanescence album, is "polished but elemental rock drumming pared down to its core." Hunt even notes on page 38 that it would have been easy for him to overplay, further proof that his days on the metal bus have given him an appreciation for playing only for the music.

Signature Studies
Hunt began to study the rudiments at age five while growing up in Gainesville Fla. Several years later, his family moved to Topeka, Kansas where he got his first taste of punk in the city's thriving scene. This was a pivotal point in his career when he began to study with Willie McNeil, who was deeply involved in the local punk community and, had been traditionally trained. Hunt learned how to incorporate his rudiments into what would become his percussive passion: hard-hittin' metal.

In Topeka, Hunt played, experimented and matured to the point in which he really was in demand. At age 17, he was working steadily with guys 10 years older than him. Than, came the time when he had to put his own group together, which resulted in the formation of Skrape, which Hunt describes as "A band that would be his home base." Yet through his time with Skrape he also was playing with established bands, such as Motley Crue. And, he accepted a temp tap with Evanescence to play the final leg of their 2007 tour after which, the band took a break.

From Drum Throne To All Alone
But suddenly, at that point in his career, Hunt stopped getting the call. For the first time he found himself without enough studio or road work, and his family finances suffering. Time pushed on and before Hunt knew it, a year and a half had passed without a gig. Hunt poignantly describes the challenges of what happens when it appears a long career has evaporated.

Rhythmically Reunited With Evanescence
However, it all took a turn for the better when he was invited to rejoin Evanescence. And his drumming matured dramatically as he took on a new mindset. He switched to emphatic beats when needed in lighter sections of songs. He became very in tune with how to backup Lee's vocals. In essence, he made a significant change to his approach where he put away the some of the style he'd developed when playing heavier music.

The November Issue featuring Will Hunt is hitting streets now and includes, as always, DRUM!'s dynamic coverage of other newsworthy drummers.


About Enter Music Publishing
Founded in San Jose, CA in 1992, Enter Music Publishing, Inc. is a leading publisher of hip, drum/percussion magazines, with distribution in 20 countries. DRUM! is the flagship publication of Enter Music Publishing, Inc. and continues to set the industry standard for editorial quality and innovation. Enter Music Publishing, Inc. also publishes great content on its website, drummagazine.com. Over the company's history, Enter Music Publishing has pressed other well-respected publications, such as How To Play Drums, and TRAPS magazine. The company's mission is to be the best source of drumming news and info on this planet and others as they become populated. The company's founders, Phil Hood and Andy Doerschuk, are well-respected drum industry veterans with more than 50 years of experience in the field.




Email Address:


Now Playing
on JC Podcast

Christian McBride - Always Evolving

Subscribe to this podcast:






HOME :: ROSTER :: PODCASTS :: NEWS :: JUKEBOX :: SHOP :: CONTACT

History :: Contact Us :: Privacy Policy

© 1996-2014 JazzCorner