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UoU - Take The 7 Train Released Today!
(Published: January 22, 2013)

Tippin' Records Proudly Presents:

UoU
Take the 7 Train
(TIP1112)

Released Today January 22, 2013!
iTunes: https://itunes.apple.com/...

Amazon: http://www.amazon.com/Tak...

CD Baby: http://www.cdbaby.com/cd/...

Tippin' Records: http://www.tippinrecords....

UoU is:
Daisuke Abe guitar, Takuji Yamada alto sax, bass clarinet
Yoko Komori piano, Kuriko Tsugawa bass, Yoshifumi Nihonmatsu drums

A profusuion of aspiring jazz musicians from around the globe come to the United States, the birthplace of the genre, to study its tradition and learn from the masters. This not only expands jazz's vital reach worldwide, but it also opens jazz itself to new forms of expression infused with the musical cultures of other countries. Historically jazz has been enriched by outside influences, ranging from the integration of Afro-Cuban musical forms and polyrhythms that created the Latin jazz idiom to the young pianist from Armenia, Tigran Hamasyan, who rather than merely emulate his jazz heroes brought his folkloric music into the mix to find his voice. Too often, though, enthusiastic jazz musicians who move to the U.S. opt to strictly conform to the conventions of jazz rather than use their own personalities and experiences to, in essence, refresh the music as well as create their own vital identities.
One of the most adventurous young bands that is auspiciously exploring jazz with its national heritage in mind is UoU, a quintet of musicians who hail from Japan. All five members made the pilgrimage to the jazz home base, via the esteemed Berklee College of Music in Boston and later to New York (arguably the world's jazz capital).
"We always think about Japan," says guitarist Daisuke Abe. "And we don't try to hide our Japanese sense of melody and rhythm when we play. Usually foreigners study jazz and try to fit into the American music. They think that you have to hide who you are to play authentic jazz. But we try to be as natural as possible."
"We want to play who we are," adds bassist Kuriko Tsugawa.
UoU brings its unique sound inflected by Japanese lyricism and rhythm to the fore on its remarkable sophomore album, Take the 7 Train. Starting with the CD title, you sense that the band is committed to a creative vision. Most bands would be happy to retread familiar territory with a rendition of "Take the ‘A' Train," the Billy Strayhorn standard, that became Duke Ellington's signature tune, that stamped approval on the long subway line that stretches from Far Rockaway in Queens to Inwood in upper Manhattan.
But UoU has hopped onto a different subway line: the 7 train. Drummer Yoshifumi Nihonmatsu wrote the tune "Take the 7 Train" and later came up with the title. "It was in 7 so he was joking that that's how we should name it," says Daisuke.
Kuriko adds, "We used to go to the jam at Cleopatra's Needle [in the Upper West Side on Broadway Avenue] and come home late at 3 or 4 in the morning. And some of us would take the 7 train." Not only is the tune catchy, but it also captures the images of the late-night subway: the homeless, the drunks, the people who are tired and the people who are noisy.

-Dan Ouellette, DownBeat, author of Ron Carter: Finding the Right Notes and the upcoming biography Bruce Lundvall: Playing by Ear


View UoU Take the 7 Train promo video here: http://www.youtube.com/wa...

Visit UoU's website: www.uoumusic.com

UoU pronounced "You Owe You"


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Recent Releases:

October 9, 2012
The Skinny Dig On It (TIP1111)

Kyle Asche guitar, Ben Paterson Hammond B3
Jake Vinsel electric bass, Mike Schlick drums

Formed in 2005, The Skinny became a band in the wake of bassist Jake Vinsel's inspired association with the legendary James Brown funky drummer Clyde Stubblefield. Guitarist Kyle Asche, one of the most active guitarists on Chicago's rich Hammond Organ trio scene, brought influence and repertoire from Grant Green, George Benson and Melvin Sparks to the band. Mike Schlick, a longtime cornerstone of Chicago's vibrant Blues and Jazz scenes alike, came with an unmistakable "old school" backbeat as well as a deep understanding of the music of The Meters and Booker T & The MG's. Organist Ben Paterson has been at the side of the legendary Chicago tenor saxophonist Von Freeman for almost a decade. In addition to his elegant and swinging piano style, Paterson is a force to be reckoned with on the B-3 organ. As student of Chicago's own Hammond Organ wizard Chris Foreman, Paterson absorbed much of the sound, style and repertoire of the legendary Jimmy McGriff.


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With Ben Paterson manning the Hammond B-3, Kyle Asche on guitar, Jake Vinsel on bass and Mike Schlick on drums, the four kindred spirits collectively known as The Skinny have come up with their own personal spin on the soul-jazz tradition. Carrying on in the spirit of Jimmy McGriff, Boogaloo Joe Jones and Grant Green, they also reveal the influences of James Brown, The Meters and Booker T & The MGs along the way. Suffice it to say, these Chicago-based groovemeisters know how to lay it down and slap some bacon fat on it.

-Bill Milkowski is a contributor to Jazz Times. He is also the co-author of "Here And Now! The Autobiography of Pat Martino" (Backbeat Books)
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July 10, 2012
Teriver Cheung My Nocturne (TIP1110)


Teriver Cheung guitar, Andrew Gould alto saxophone
Linda Oh bass, Ross Pederson drums

"Teriver Cheung reveals a gentle touch and a mature, composerly approach on his first recording as a leader. Accompanied by bassist Linda Oh, alto saxophonist Andrew Gould and his former North Texas schoolmate Ross Pederson on drums, guitarist Cheung (a onetime child prodigy on piano) demonstrates an impressive command of his instrument"
JAZZTIMES (August 2012), Bill Milkowski

"No matter how high the technical bar has been raised for aspiring guitarists, one simple fact remains: musicality is what matters. Teriver Cheung, age 27, has found ways to transcend a chops-centric approach and create music full of breath, space and surprise. On My Nocturne, his auspicious debut, he reveals himself as a player of great skill but also poetic sensitivity. He can do difficult, yes: his single-note lines generate heat and friction, leaping across intervals, avoiding the obvious. But it's the lyricism, the rhythmic idiosyncrasy and above all the personal quality of his writing and improvising that makes Cheung an artist to watch."
David R. Adler, Liner Notes

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June 26, 2012
Vitaly Golovnev What Matters (TIP1109)


Vitaly Golovnev trumpet, Zhenya Strigalev alto saxophone
Nathan Peck bass, Pete Zimmer drums

"A nimble trumpeter whose tone can range from clarion to pugilistic, Golovnev has synthesized influences ranging from Clifford Brown and (Booker) Little to Dave Douglas and Tom Harrell into a broad personal style."
THE NEW YORK CITY JAZZ RECORD, George Kanzler


"Golovnev is clearly a force to be reckoned with"
JAZZ JOURNAL


"Golovnev projects an idiosyncratic sensibility, ironic and romantic"
DOWN BEAT


"His playing suggests a more progressive, angular and daring feel to this music"
ALL MUSIC GUIDE, Michael G. Nastos

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April 17, 2012
Pete Zimmer

More Information: http://www.tippinrecords.com

Submitted By:

Tippin
info@tippinrecords.com


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