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Tony Adamo Mike Clark Bill Summers
(Published: June 05, 2014)

Mike Clark and Bill Summers from the original Herbie Hancock & The Headhunters. Will co-write nu-music for Tony Adamo's vocal hip spoken word lyrics. Witch will be on Adamo's nu CD,Tony Adamo and The Headhunters.
Mike Clark a seasoned and versatile musician, began playing in Oakland, Ca where he was instrumental in creating the "East Bay Funk" sound. His groundbreaking work with Herbie Hancock & the Headhunters album “Thrust” drew attention to his innovative style, elevating him to international cult status. Clark has performed and recorded with a diverse range of artists including Wayne Shorter, Charlie Hunter, Chet Baker, Gil Evans, Joe Henderson, Tony Bennett, and Mose Allison. Clarke released ‘Carnival of the Soul in 2010 and most recently in 2011 a new Headhunters album ‘Platinum’ with guest artists: Snoop Dogg, Killah Priest & George Clinton

BILL Summers a highly accomplished musician, percussionist, and ethnomusicologist, Bill Summers has performed and recorded with Quincy Jones, Carlos Santana, Michael Jackson, Dianne Reeves, Anita Baker, Stevie Wonder, George Benson and many more, in addition to his various solo projects. He maintains a deep commitment to world music through his personal study with ethnic masters, as demonstrated through his deft ability on a variety of instruments. Summers' awareness of African heritage is evident in his work with Quincy Jones on the musical score for Roots and the soundtrack for The Color Purple. He formed the fantastic Latin/jazz hybrid Los Hombres Calientes in 1998 in New Orleans who have recorded five albums, toured the World They won Billboards “Latin Jazz Album of the Year Award” and were Grammy Nominated.

DONALD Harrison A talented post-bop alto saxophonist with a definitive style, Donald Harrison, Jr. came to fame with Art Blakey's Jazz Messengers from 1982-1984 after attending the Berklee College of Music. Harrison landed a deal with Impulse recording his critically acclaimed Nouveau Swing in 1997 and Free to Be in 1998, fusing modern jazz with elements of funk and reggae. His most recent release, Spirits of Congo Square, furthers his exploration and innovation of his father's Mardi Gras Indian legacy.
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