JazzCorner.com
SEARCH
ARTISTS

Quartet Music
Michael Cochrane

CD Price: $20.00

Shipping:
$4.00 USA
$6.00 Canada
$10.00 International

Add to Cart

Track Listing
1. Tones for Bones
2. 502 Blues
3. Orbit
4. Simba
5. Soul Eyes
6. When Love Is New
7. Step Lightly
8. Promise
9. The Greeting
10. Red's Blues

Detailed Description / Musicians
Musicians:
Michael Cochrane - Piano
Bob Malach - Saxophones
Calvin Hill - Bass
Jeff Hirshfield - Drums

Description:
Michael Cochrane is yet another one of the far-too-large group of veteran musicians who is deserving of far more acclaim than he has received, as he is missing from many of the major jazz reference books. Because his recordings as a leader have been for European labels, such as this Steeplechase CD, this explains this omission to a certain extent, but this first-rate studio session from 2001 merits exploration. Joined by tenor saxophonist Bob Malach (another musician worthy of wider attention), bassist Calvin Hill, and drummer Jeff Hirshfield, Cochrane interprets compositions by fellow pianists, including Bill Evans' "Orbit," Cedar Walton's "When Love Is New," Chick Corea's "Promise," and McCoy Tyner's "The Greeting," none of which have been recorded very much. Cochrane finds his own voice rather than emulating the composer in each of these tracks, even stripping down the thunderous cascades found in Tyner's work. Malach's sax is solid without ever trying to overpower the music. In addition to easygoing interpretations of Joe Henderson's "Step Lightly" and Jerry Bergonzi's "Red's Blues," Cochrane's two strong originals, the brisk and constantly shifting "Tones for Bones" as well as the catchy chant-like ballad "Simba," add to the value of this recommended release.

--Ken Dryden
All Music Guide


  Available Items by Michael Cochrane About Michael Cochrane 

Website: http://www.michaelcochrane.com

These days, Michael Cochrane is a busy man. Having just completed his eighth CD as a leader on the Steeplechase label, the pianist/composer finds himself shuttling between Europe and the U.S. with "The Spirit of Life Ensemble." Add to that calls for frequent side man duties in and around the tri-state area and it would appear that his career is reved up into overdrive.

So why then at this time would the super active jazz man embark on a cooperative project like Lines=of=Reason? "I've always enjoyed the sharing of responsibility," says Cochrane. "I actually had thought about doing something like this when I originally moved to New York. But the normal way to go back then was to be a sideman, which most of my friends ended up doing."

Cochrane hails from Peekskill, New York, a little town about fifty miles north of New York City. The way to go for the musically gifted Cochrane growing up during the fifties was to start piano lessons at the age of eight. "I think that by the time I was thirteen," he remembers, "I could play Beethoven's Sonata Pathetique, which I actually performed at one of my teacher's recitals."

The youngster continued to perform throughout his high school years in a state of the art band program under the direction of Vincent Corozine. It was at this juncture that the teenager got his first exposure to jazz, and in particular, to the big band sound.

Although jazz was constantly on his mind, surprisingly the high school grad enrolled at Boston University in the science and math department. "I was majoring in mathematics," recalls Cochrane, "but at the same time I was studying in an after school music program at Berkeley. You could sign up for private lessons and actually get college credit, which I did." By his third year in school, the jazz bug had bitten and there was really no doubt as to what direction the college junior would pursue for the rest of his life. Cochrane eventually switched majors and would graduate with a degree in psychology. But by then he was gigging around the Boston area and had become a regular on the local jazz scene.

He would stay on in Boston for another four years before making the inevitable move to New York City. The relocation coincided with the beginning of a long association with trumpeter Hannibal Marvin Peterson. During the next seven years, the New York pianist traveled the world over with the Peterson band. They eventually recorded One With the Wind for Muse Records.

The intervening years have seen Cochrane's artistry become more and more in demand. But despite his grueling schedule, the time has come to seize the moment and launch Lines=of=Reason. Performing with his comrades in a close knit, long-term situation has irresistible advantages for the prolific composer. "It really makes a huge difference," says Cochrane, "when you know exactly who you're writing for their directions."

(0) - $0.00
SIGNUP FOR UPDATES

Email Address:



Privacy Policy

PODCAST NOW PLAYING

HOME :: ROSTER :: FORUMS :: PODCASTS :: NEWS :: JUKEBOX :: SHOP :: CONTACT

History :: Contact Us :: Privacy Policy

© 1996-2013 JazzCorner