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(Published: October 15, 2014)


"Brooklyn jazz is happening and those who venture across the bridge will be delighted by the hard-edged ethnically-flavored jazz that they find on the other side."
-All About Jazz New York

" . . . The spirit of the organization is firmly rooted in Brooklyn. All of the members reside there, and they wanted to give a nod to the vitality of its scene."
-The Wall Street Journal

To Releases New Recordings From:

Press/Media - Digital & Physical Copies Available
Please Contact Red Cat Publicity

CD Release Celebrations:

Saturday, October 25 @ An Die Musik, Baltimore, MD
Tuesday, November 4 @ Korzo (Konceptions), Brooklyn, NY
Wednesday, November 19 @ The Cornelia Street Cafe, NYC

Owen Howard:
November 7 @ The Cornelia Street Cafe, NYC

Brooklyn Jazz Underground Records, which was launched in January of 2008, and now boasts a catalog of more than forty-five recordings, proudly releases the newest wave of recordings on the label; Not Dark Yet, the debut recording from Brooklyn based composer/bandleader Nathan Parker Smith, the sophomore album from the Brooklyn based collective jazz quintet, Sketches: Volume Two, and the much-anticipated follow up to Drum Lore from drummer/composer/bandleader Owen Howard, Drum Lore Vol. 2.

With a mix of new and returning artists releasing albums on BJURecords this year, including new recordings from Tom Guarna, Rob Garcia, John Chin, Noah Garabedian, BJU, Rafal Sarnecki, and label co-founder, Anne Mette Iversen, the label continues to represent current streams of jazz, creative and improvised music from artists connected to Brooklyn. 2015 will see new releases from David Cook, Jeremy Siskind, Alex Norris, David Smith and others. As always, the label has taken a hands-off approach, adhering to their core principles of artist control & ownership, and giving priority to the artist's vision. BJURecords proudly offers the listener the newest recordings in the catalog, all-singular, and linked by being contemporary explorations and representations of 21st century jazz from Brooklyn, NY.


Featuring Kevin Russell, Chris Shade, Michael Thomas, Justin Flynn and Alden Banta (woodwinds), Augie Haas, David Smith, Josh Deutsch and Matt Holman (trumpets), Matthew McDonald, Nick Finzer, JC Sanford, James Rogers (trombones), Landon Knoblock (Rhodes), Kenji Shinagawa (guitar), Russ Flynn (bass), and Jared Schonig (drums)

Brooklyn based composer and bandleader Nathan Parker Smith will be releasing his debut large ensemble album, Not Dark Yet, on Brooklyn Jazz Underground Records this October. The group's live shows have been widely acclaimed for their unapologetically aggressive and engaging style, heavily informed by European heavy metal, 20th century classical composition and progressive rock. Not Dark Yet was recorded in Brooklyn, NY by Luke Moellman (Great Good Fine OK), and Grammy-Award winning engineer Brian Losch (Maria Schneider, Winter Morning Walks).

Nathan Parker Smith's compositions are devised, both formally and conceptually, to rely heavily on collective group improvisation and to avoid many of the techniques that have become the status-quo approach for modern big-band writing. The Ensemble conjures images of both disturbance and intensity, while simultaneously providing an undercurrent of ephemeral optimism, evoking the subtle comfort that the world has not yet gone dark, hence the album's title. Often pushed to their limits, the musicians collectively thrash and roar through Smith's compositions, the soloists soar over powerfully churning distortion ladened ostinatos, ever-changing mixed meters, feedback squeals and anthemic melodies. A powerful, compelling debut from a serious new composer on the Brooklyn/NYC scene.

More on Nathan Parker Smith: A native of Northern California, Smith is an active performer and composer currently residing in Brooklyn, New York. In 2009, he formed the "Nathan Parker Smith Large Ensemble," an eighteen ­member ensemble regularly performing original music throughout New York, including recent performances shows at Fat Cat, Spike Hill, Cameo, the Tea Lounge, Shapeshifter Lab, and the Greene Space at WNYC. Smith has received the Billy Joel Scholarship for Composition, the Raymond and Maxine Schirmer Prize in Jazz Composition, the 2010 ASCAP Foundation Young Jazz Composers Award, the 2010 BMI Foundation Charlie Parker Composition Prize, the 2011 Manny Albam Commission, and special recognition by the Jazz Advisory Committee of the New York Youth Symphony for exceptional accomplishment in music composition.

Smith's compositions have been performed by ensembles throughout the United States, including the Eastman Jazz Ensemble, the Eastman Studio Orchestra, the Shrine Jazz Club Big Band, the University of Reno Jazz Lab Band, the Reno Jazz Ensemble, Saxology, the BMI New York Jazz Ensemble, the Humboldt State University Jazz Orchestra, the University of Wisconsin Eau­Claire Jazz Ensemble, and the University of Connecticut Jazz Ensemble. His music has also been featured at the Vancouver Jazz Festival and the Rochester International Jazz Festival.

# # #

SKETCHES - Volume Two

Sketches is: Matt Holman (trumpet/compositions), Jeremy Udden (saxophone/compositions), Jarrett Cherner (piano/compositions), Martin Nevin (bass/compositions), Ziv Ravitz (drums/compositions)

"The results are poised, balanced, intimate conversations."
- Jon Garelick, The Boston Globe

"These songs may have all started life as unfinished bits and pieces, but they've grown into wondrous creations under the watchful eyes of these men. Hopefully a Volume Two will follow." - Dan Bilawsky, All About Jazz

Started in 2011, Sketches is a Brooklyn-based collective jazz quintet in which each member writes music based on another member's musical idea. Inherent in each piece is the challenge of blending two distinct musical personalities, yet with an ensemble of strong composers and sensitive performers, the results have been as engaging as they are unpredictable. Scott Yanow commented in Jazz Inside Magazine that, "these five musicians all have compatible styles and listen closely to each other, two qualities that give Sketches its own group sound . . . With consistently fine solos (pianist Cherner is particularly inventive) and worthy themes, Volume One is an excellent start for Sketches."

On Volume Two, Sketches continues its investigation and exploration of their unique collaborative compositional process. The music on the band's sophomore album is a result of the growth that they have experienced while touring and performing music from their debut, appearing not only in New York City, but also performing in Washington D.C, Baltimore, Portland, and Boston. Volume Two reflects a deepening understanding between the band mates, building upon the critically-acclaimed music they offered on Volume One. As with the music from Volume One, each member shared a sketch from his notebook (e.g. any musical fragment, a collection of fragments, an incomplete tune) and another member used that as the basis for a new composition. The band then rehearsed and developed the compositions further. In this process, no tune is deemed complete until the band plays the composition and each improviser finds a way of coloring the pre-written material. Although the compositions start as "sketches", they are forged into complete compositions with ample room for improvisation. The band recorded all of the music on Volume Two in one day, a big indicator of the band's brilliance as ensemble players, and the unmitigated virtuosity they posses on their respective instruments.

The compositions on Volume Two reflect a very personal tone and approach. The highlights include Ravitz's "Hail from Plainville" (based on a sketch by Jeremy Udden), a tribute to Udden's personality and his compositional approach - a rare ability to combine jazz and folk music in a seamless way - that Ravitz admires. On Holman's "Y&H"(based on a sketch by Ravitz), the use of "power chords" are a tip of the hat to Holman's angst-loving teenage years. Ravitz's sketch inspired Holman to create a simple, open-form composition that has a passionate grunge feel but also pays tribute to the drummer's Middle-Eastern sensibility (Ravitz originally titled his sketch "Y&H" as a dedication to Israeli-born musician Yaron Herman). Bassist Martin Nevin's "Dyson Ritual" (based on a sketch by Udden), is meant to evoke a tribal ritual with the opening theme summoning the members of the tribe and a call to the forces that the ritual honors. Cherner's "Caught In The Storm" (based on a sketch by Holman) depicts the drama and volatility of either an internal, or actual, storm. Cherner was drawn to the harmony that resulted from the various permutations of the pitch set and the rhythm that Holman's sketch included. The band enters gradually as the storm brews, crackles with dissonance, finds moments of lyricism, gains momentum, and eventually dies down. In the coda, the listener is left with the tranquil space that's left in the storm's wake." Throughout Volume Two, the band delivers, "impressive post bop material, with rich and intelligent arrangements and a clever mix of melody and improvisation . . . You'll like these guys!" - George Harris, JazzWeekly.

More on Sketches: The members of Sketches are leaders of their own bands, and in-demand sideman as well, having performed and/or recorded with Lee Konitz, Joe Lovano, Fred Hersch, Darcy James Argue's Secret Society, Steve Lacy, John Hollenbeck, George Garzone, Aaron Goldberg, Aaron Parks, & Esperanza Spalding, among countless others. The artists have also garnered multiple accolades from the Young Jazz Composer Awards, the BMI Foundation's Charlie Parker Jazz Composition Prize/Manny Albam Commission, as well as both national and international performance competitions. United in Sketches, these five musicians become a formidable force of creativity.

# # #

Owen Howard - Drum Lore Vol. 2 - More Lore

"A good jazz drummer works with form and color along with pulse, applying compositional principles on the fly. Some take it further, as Owen Howard, one such drummer, illustrates with 'Drum Lore'." - The New York Times

"Owen Howard has put together, from his perspective seat, a fantastic collection of creatively executed compositions by the most influential drummers of our time. Some of the hippest bandleaders and composers in jazz have come from the drum chair. With Drum Lore, Owen Howard makes a beautiful and honest statement with his ensemble. It captivates you throughout and feels great!!! Bravo . . ." - Joe Lovano

Owen Howard, originally from Edmonton, Canada, has performed and recorded with the likes of Joe Lovano, Kenny Werner, Tom Harrell, Kenny Wheeler, John Abercrombie, Dave Liebman, George Garzone, Dave Holland, Eddie Henderson, Sheila Jordan, Jay Clayton and many others. He has appeared on over forty recordings to date, including five under his own name, and has toured extensively throughout Europe, the United States and Canada. With more than twenty years of successfully leading his own bands, Howard is clearly an artist successfully following in the footsteps of legendary drummers/bandleaders such as Tony Williams, Peter Erskine, Billy Hart, Jack DeJohnette, Paul Motian, Al Foster, Shelly Manne and others.

Now with the release of his seventh CD, Drum Lore Vol. 2 - More Lore, the follow up to the critically-acclaimed, 2011 Juno Award Nominated, Drum Lore (on BJURecords), Howard continues to celebrate and interpret music composed by drummers, and also feature more of his own compelling compositions. Where Vol. 1 was conceived as a studio recording of sorts, with each piece featuring a different configuration and concept, the second installment of the Drum Lore project gives the listener a taste of what the group sounds like in its working quintet format, featuring Adam Kolker (soprano & tenor saxophones, bass clarinet), John O'Gallagher (alto saxophone), Frank Carlberg (piano), Johannes Weidenmueller (bass) and the leader Owen Howard (drums).

Drum Lore Vol. 2 offers up seldom heard originals by Philly Joe Jones and Joe Chambers, as well as popular works by Victor Lewis, Paul Motian and Tony Williams. The remainder of the recording is comprised of recent original compositions by the leader. Highlights include, "Hey, It's Me You're Talkin' To", one of Victor Lewis' most well known compositions; Joe Chambers' "Ungano" (from the Bobby Hutcherson Blue Note album, Medina); "Haiku", a composition that Howard composed at the piano in about ten minutes. "After stating the 5-7-5-syllable form, the soloists are free to interpret at will. It's quite different each time we perform it", said Howard; "Like Buttah","my take on rhythm changes, which incidentally pays homage to Sonny Rollins' 'Oleo' (which was a butter substitute back in the day)"; and "Got To Take Another Chance", "a fun little piece by Philly Joe Jones that is based on the chord changes of 'Take The 'A' Train'. I extracted the horn riff and ending bit from the Max Roach/Clifford Brown version of 'A Train' (from the record, A Study in Brown). I love Max's train ending on that cut. Straight up fun!," said Howard; "Mumbo Jumbo" by the late great Paul Motian, and "Pee Wee" by the legendary Tony Williams.

More on Drum Lore: The birth of Drum Lore took place at a summer jazz workshop where Howard was one of the several "artists-in-residence". The drummer explains further, "As we were getting ready for a discourse on the finer points of our various approaches to composition, one of the participants said to me. 'Owen, why are you here' You're a drummer, and this is a composition class' Well, how does one answer a comment like that' Rather than being offended, I took it upon myself to dispel this myth that drummers can't, or don't, compose." The brilliant result was Drum Lore (released in 2010 on BJURecords), a recording of great stylistic diversity, dedicated to exploring compositions exclusively by many of the revered drummers of our time. As Joe Lovano has stated, "some of the hippest bandleaders and composers in jazz, have come from the drum chair"; so many that Howard now offers Drum Lore Vol. 2, and has at least several more CDs worth of music composed by drummers that he'd like to record, so be on the lookout for the possibility of "Drum Lore, Vol. 3" in the future.

Please visit:

For more information on Brooklyn Jazz Underground Records
Please contact Jason Paul Harman Byrne at Red Cat Publicity
Email Redcatjazz@mac.com, Tel 347 578 7601, www.redcatontheloose.blogspot.com

More Information: https://www.bjurecords.com

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