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Markus Reuter with Major Environmental Project "Mata Atlântica - Retiro e Ritmo" Featuring Gary Husband, Brian Krock, Andi Pupato, Pat Mastelotto and Many More
(Published: November 09, 2022)

Retiro e ritmo is a musical declaration of love to Mata Atlântica, the coastal rainforest of Brazil. Its beauty and vivacity inspired this album, which initiator and co-producer Mathias Derer hopes will in turn inspire others to help preserve, protect and speak out for this beautiful habitat.

Using contributions by many brilliant musicians (plus vivid tropical field recordings), Markus Reuter has created a collage that attempts to recreate the acoustic texture of this biotope. The result is a multi-layered soundscape of haunting melodies, jazzy harmonies, grooves inspired by Brazilian rhythms, poetry, and the genuine sounds of Mata life and existence. The combining voices of contributing musicians such as Gary Husband (John McLaughlin/Allan Holdsworth/Billy Cobham bands, NDR Bigband, Level 42), Brian Krock (Big Heart Machine, liddle), Raphael Preuschl (Fabulous Austrian Trio), Luca Calabrese (Wayne Horvitz European Orchestra, Isildurs Bane, Syntony, Italian Instabile Orchestra), Andi Pupato (Nik Bärtsch's Ronin, Mich Gerber, Andreas Vollenweider, etc.), Aralee Dorough and Colin Gatwood (both Houston Symphony Orchestra) form a complex collective sound fabric while still remaining individually audible.

The background to this album dates back five years, to a visit Mathias made to Brazil. "In July 2017, I traveled to Bahía at the invitation of German nature photographer Markus Mauthe, where I had the opportunity to attend the founding phase of the environmental organization AMAP Brazil. It was not only my first encounter with Brazil, but also with South America and the rainforest.

"After only a few steps into the tropical thicket, I realized that I was about to have a unique experience. The richness in which nature presented itself to me was overwhelming. Carefully, we moved through a complex web of shapes and colors: but even more surprised than my eye was my ear. Birds, insects, monkeys, frogs and countless other living organisms played their organic symphony on the basis of rustling and dripping leaves and creaking branches in the most species-rich biotope on earth.

"The beauty and lushness of this nature, its wildness, but also its vulnerability have never left me since. In the present day, more than ninety per cent of the Mata Atlântica has been destroyed. What is left of it is still considered to be one of the most threatened tropical forests in the world. For the next few years, both of these factors continued to work in me - the audiovisual experience of the Brazilian coastal rainforest and the concern for its existence. How could I contribute musically to bring more attention to this fragile habitat, while recreating its soundscape?

"In the initial conversation I had about the project, I won over my friend Markus Reuter, and a plan to realize the album quickly crystallized. The vague basic idea was to lay down groovy patterns on field recordings of the Mata's soundscape, over which lyrical melodies would unfold.

"Together we drew up a wish-list of musicians, which (thanks to Markus' numerous collaborations) included greats whom I would never have dared to dream of involving; and no instrumentalist failed to co-operate. On the contrary, each contribution surprised us with its richness of ideas, its playfulness and creativity.

"We proceeded according to the principle of a chain letter, and laid layer upon layer. Over field recordings from Mata Atlântica, Tobias Reber created complex electronic beats inspired by Brazilian rhythms. Raphael Preuschl added creative electric and double bass parts before Gary Husband contributed a variety of sound colors on piano, electric piano, organ and synthesizer. Next, Brian Krock, Luca Calabrese, Aralee Dorough and Colin Gatwood added flute, oboe, saxophone and trumpet parts; and then Andi Pupato completed the instrumental mesh with Brazilian percussion.

"After each intermediate step, Markus Reuter arranged, structured and supplemented the material into coherent compositions, until finally the singers Charlotte Pelgen, Graça Cunha, Zoey Gley, Lisa Fletcher and Deborah Carter Mastelotto could lend their voices to the vocal melodies (and Pat Mastelotto, usually better known for his King Crimson drumming, could lend his own voice to a poem by Lord Byron). To conclude the album, there is an ambient track that combines guitar soundscapes by Markus Reuter with percussion by Andi Pupato.

"The final result is a multi-layered sonic biotope, via collective composition by the musicians involved. What I am continually enthusiastic about is that I also get the impression of a well-rehearsed live band whenever I listen to it."

Stylistically the album could be described as a lyrical and documentarian modern take on early 1970s fusion (a la Oregon or Weather Report) with more contemporary ideas on sound design and a distinctively European art rock/jazz element, all underpinned by Markus' very unique musical architecture.

"On the visual side, we were fortunate to have Markus Mauthe (one of Germany's most renowned nature photographers, without whose hospitality this project would never have existed in the first place), provide us with his photos, to which Bernhard Wöstheinrich's graphic design organically responds and adapts. In the booklet, further pictures by photographers Patrick Böttger and Lars Richter document the work of the nature conservation organization Almada Mata Atlântica Project (AMAP), with which they themselves are actively involved in initiatives for reforestation, species protection and ecologically-sustainable cacao cultivation."

For more information, and how to contribute, please visit: https://amap-brazil.org/en/welcome/

To watch the video, please click here: https://www.youtube.com/watch?v=M27wlYgKigA


1. Candles in Brazil 9:02
Music by Reuter/Derer/Husband/Reber/Preuschl/Pupato
Featuring Charlotte Pelgen: vocals, Graça Cunha: vocals, Aralee Dorough: flute
Words by Emily Dickinson and João Cabral de Melo Neto
2. Quando como aranhas 10:09
Music by Reuter/Derer/Husband/Reber/Preuschl/Pupato
Featuring Aralee Dorough: flutes, Colin Gatwood: oboes
3. Sempre o mesmo 7:25
Music by Reuter/Derer/Husband/Reber/Preuschl/Pupato/Gley
Featuring Zoey Gley: vocals, Lisa Fletcher: vocals, Brian Kock: saxophones and flute
Words by Zoey Gley and Mathias Derer
4. Mata 8:34
Music by Reuter/Derer/Husband/Reber/Preuschl/Pupato
Featuring Deborah Carter Mastelotto: vocals, Lisa Fletcher: vocals, Brian Krock: soprano saxophone, flute
Words by Rudyard Kipling and Joyce Kilmer
5. Se deus quiser 10:34
Featuring Luca Calabrese: pocket trumpet, Pat Mastelotto: spoken word
Words by Lord Byron
6. Um beijo selvagem 6:28
Music by Reuter/Derer/Husband/Reber/Preuschl/Pupato
Featuring Graça Cunha: vocals, Brian Krock: clarinet
Words by Cláudio Manuel da Costa
7. O fim do mundo 22:50
Music by Reuter
Featuring Markus Reuter: Touch Guitar Soundscapes, Andi Pupato: Metals

Markus Reuter - Synthesizers, Samples, Treatments, Soundscapes, Field Recordings
Tobias Reber - Electronic Rhythms
Raphael Preuschl - Basses
Gary Husband - Keyboards
Andi Pupato - Percussion
Brian Krock - Saxophones and Flute
Luca Calabrese - Pocket Trumpet
Aralee Dorough - Flute
Colin Gatwood - Oboes
Charlotte Pelgen - Vocals
Zoey Gley - Vocals
Graça Cunha - Vocals
Lisa Fletcher - Vocals
Deborah Carter Mastelotto - Vocals
Pat Mastelotto - Voice
Markus Mauthe - Field Recordings
Christian Wolff - Field Recordings

Arranged, orchestrated, and produced by Markus Reuter
Executive producer: Mathias Derer
Mixed by Stefano Castagna at Ritmo&Blu Studio
Mastered by Lee Fletcher

Album artwork by Bernhard Wöstheinrich
Cover photos by Markus Mauthe
Booklet photos by Lars Richter and Patrick Böttger

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