|Moroccan Moods of Gershwin|
CD Price: $16.00
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1. Embraceable You
2. Someone to Watch Over Me
3. Nashville Nightingale
4. Fascinating Rhythm
5. Love is Here to Stay
7. Embraceable You (2)
Detailed Description / Musicians
Liz Magnes - solo piano
"Moroccan Moods of Gershwin" is one of the more interesting Gershwin tributes that was recorded in the 1990s. This 1995 recording finds pianist Liz Magnes bringing North African and Middle Eastern elements to Gershwin's work. Magnes brings Arabic, Jewish and Turkish influences to her acoustic jazz foundation - as well as a strong appreciation of European classical music. The results are consistently intriguing; performing unaccompanied solo piano, Magnes manages to make overdone war horses like "Embraceable You" (which she performs twice) "Someone to Watch Over Me" and "Our Love is Here to Stay" sound fresh. And considering that these standards have, over the years, been recorded by literally hundreds of jazz artists, that's saying a lot. Much to her credit, the introspective Magnes also embraces two Gershwin pieces that are usually overlooked, "Nashville Nightingale" and "Delicious" aren't nearly as well known as the other songs on this fine post-bop CD. In fact, it's safe to say that the vast majority of young jazzmen coming out of the "hard bop academies" have never even heard of "Nashville Nightingale". "Moroccan Moods of Gershwin" is enthusiastically recommended to anyone who is seeking a Gershwin tribute that is fresh-sounding and adventurous."
| ||Available Items by Liz Magnes|| ||About Liz Magnes|| |
Liz Magnes combines an extraordinary approach to jazz piano with a World Music flavor to create a totally new and fresh solo jazz piano sound. Her signature blend of American and Middle Eastern jazz is an exciting meeting of East and West.
Liz Magnes was born in Cincinnati, Ohio and started studying piano at the age of 5 at the Cincinnati Conservatory of Music. By age 9 she was playing boogie-woogie and at 15 performed her first solo concert, Gershwin's "Rhapsody in Blue" with the Westchester Orchestral Society in New York. She studied classical music at Sarah Lawrence College and the Mannes School of Music, but it was the New York jazz world of the late 50's-mid 60s and her studies with pianist Mal Waldron that solidified her foundation in American jazz. After moving to Israel in 1968, Liz completed her musical education, receiving a Bachelor of Arts and Music degree from the Hebrew University Rubin Academy of Music and Dance.
Living most of her adult life in Israel, Liz distinguished herself as one of Israel's most dynamic and creative solo jazz pianists, performing in major clubs, concert halls and jazz festivals in Israel, Europe and the U.S.A.
While living in Israel, her tours abroad included such diverse venues as the Village Gate and Bradley's in New York City, the Kennedy Center in Washington DC, as well as in jazz festivals in Israel, Europe and the U.S. While living in Cairo for 4 months in 1999, Liz performed at the Cairo Jazz Club, the Cairo Opera House and the Great Hall in Alexandria.
During her extensive travels, Liz has explored the melodies and rhythms of many ethnic groups, integrating rich and varied musical heritages into sophisticated jazz improvisations. She has performed in Israel, Egypt, various countries in Europe and various cities in the US. Liz has worked collaboratively with many other artists, drawing upon many different musical traditions including medieval Jewish oriental prayer music, Spanish Ladino melodies, Arabic maqam, modern Israeli pop music and traditional American standards. She interprets each with her jazz sensibilities to create beautiful and often startling connections between divergent forms, weaving together different eras and cultures into splendid musical tapestries.
Liz has collaborated with such diverse artists as flutist Jeremy Steig at the International Red Sea Festival, Moroccan-born violinist Yeshua Azulai in programs of East-West duets and with the Royal Danish National Choir. She has also worked with the singer Sandra Johnson.
Her desire to reach out to other creative artists and her unrelenting quest for peace dialogue has afforded her opportunities to perform with many superb artists, including Palestinian oud player Marwan Abado, the drummer Yehya Khalil in Egypt, and actor Kathleen Chalfant in New York.
Liz has composed and performed music for dance and theatre and is an acclaimed composer of original scores for silent films, which she has performed in film festivals in Vienna, New York and Jerusalem.
Liz Magnes has resided in New York since 2000 during which time she has performed in concert from coast to coast. Some performance highlights include her performance with Marian McPartland on Marian's prestigious "Piano Jazz" program (NPR); performing for "Seeds of Peace" in honor of Queen Noor of Jordan; composing and performing "Chagall" at the Jewish Museum; participating in an evening hosted by The Center of Constitutional Rights, under the auspices of Vanessa and Corin Redgrave with a performance of her piano composition "Prayer for Peace"; and her performance at the Metropolitan Museum of Art (Grace Rainey Rogers Auditorium) which highlighted her jazz signature of arrangements; and performance for the Lauren Flanagan Valentine Day Concert. At the Knitting Factory in New York Liz collaborated with Kathleen Chalfant in duo and with Rinde Eckert at the Charles Ramsburg "Text, Texere, Texture" exhibition at the West Park Church. She worked with poet Karen Alkalay-Gut, also at the Knitting Factory. Liz is proud to have been a part of the African Aids Film Festival. She composed and performed incidental music for Pygmalion and Galatea at the Gilbert and Sullivan Society and recently opened the Sunday Afternoon Series with a solo gig at Brooklyn"s Parlorjazz. Lately, she has performed at the Kingston, NY Deep Listening Space. Liz and Hill Greene have explored duet possibilities, and their first gig was in NY in the summer of 2006.
During her long and vibrant career Liz has dedicated much of her time to furthering the arts in education. She is one of the three founders of the Jerusalem Workshop of Music and Arts for Children, has conducted programs of music pedagogy for the Jerusalem Municipality, a concert-lecture series for the open university of Tel Aviv and jazz workshops in Israel and abroad, including workshops for Palestinian and Israeli youth together. She also taught music at Friendship's Way, a project for underprivileged Muslim, Jewish and Christian children in Jaffa.
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